Writings (by me)
2024: “Anti-Colonial Cinema Practices: Dialogical, Experimental, Photochemical Film Praxis in Puerto Rico” In Palgrave Handbook of Experimental Cinema, edited by Kim Knowles and Jonathan Walley, Palgrave Macmillan, p.275-288.
2024: Keller, Sarah, Yangqiao Lu, & Kathryn Ramey. White Women Are a Curse Against Their Sex: A Conversation with Kathryn Ramey, Millenium Film Journal, Issue no.79.
2017: “Ethno-Cine-Poet: The films of Robert Gardner” In Looking with Robert Gardner, Charles Warren and Rebecca Meyers, SUNY Press.
2016: Experimental Filmmaking: Break the Machine, Routledge Press. companion website.
2015: “♇ (the empty sign)” In EthnoScripts 2015: 17 (1): 123-137.
2015: “Time and the Axe: Review of Anna Grimshaw’s Mr. Coperthwaite” in Cultural Anthropology Journal 30.4 November 2015.
2014: “Do no harm: the ethnographic animations of Robert Ascher” in Experimental Film and Anthropology edited by Arnd Schneider and Caterina Pasqualino, Bloombury Publishing, Oxford England.
2013: “A word is not always just a word, sometimes it is an image: Musings about and part of a screenplay for Yanqui WALKER and the OPTICAL REVOLUTION” in Anthropology and Art Practice edited by Arnd Schneider and Christopher Wright, Bloomsbury Publishing, Oxford England.
2011: “Productive Dissonance and Sensuous Image-Making: Visual anthropology and experimental film”, In Made to be Seen: Perspectives on a History of Visual Anthropology, University of Chicago Press, Jay Ruby and Marcus Banks, eds.
2010: “Economics and culture of the film avant-garde: networks and strategies in the circulation of films, ideas and people”, In Jump Cut, No. 52, Summer 2010.
2007: “Eye/Body: The Cinematic Paintings of Carolee Schneemann”, In Women’s Experimental Cinema: Critical Frameworks, Duke University Press, Robin Blaetz, ed
2003: “Thaw 03”, The Independent Film and Video Monthly, September 2003.
2002: “Between Art, Industry and Academia: The Fragile Balancing Act of the Film Avant-Garde”, Visual Anthropology Review, Volume 18, Nos. 1-2.
1999: Review of Catherine Russell’s Experimental Ethnography in Visual Anthropology Review, Volume 15 number 1, spring/summer 1999.
PhD. Socio-Cultural Anthropology, Temple University, Philadelphia, PA 2006
Dissertation: Is the Film Avant-Garde Still Avant-Garde?: Economics and Culture of Artisanal Moving-Image Makers available through inter-library loan from Temple University’s Iwaski Library.
Writings (by not me)
2024: Noack, Martha “Artist Kathryn Ramey showcases sustainable art in exhibition at Silo City – How arts are involved in creating a more sustainable world” The Spectrum, Buffalo, NY, September 10, 2024.
Kathryn Ramey Interview with Mariela Salinas in FEMEXFILMARCHIVE, 2021
Kathryn Ramey on Decolonizing Puerto Rico by Gibrán Rivera, 2020
Review: Thoughts on “Experimental filmmaking: BREAK THE MACHINE” and community by Faith Arazi in “OTHERZINE” Issue 31, Fall 2016
2017: Troiani, Igea & Alison Kahn, Film as Architectural Theory, in Architecture and Culture, Volume 4, Issue 3: This thing called theory. P. 485-498.
2016: Network Nine News, Experimental Film Making … Break the Machine by Kathryn Ramey, a review by the Editor, Nov. 5th
2015: The Script Lab, Book Review (and other ramblings): Experimental Filmmaking – Break the Machine, November 19, 2015.
Psychogeographies: Four Films about Place and Time by Penny Lane discussing my film Yanqui WALKER and the OPTICAL REVOLUTION alongside work by Jason Livingston and Joel Schlemowitz that she programmed in a Flaherty NYC show at Anthology Film Archives in March 2011.
On Artists: Kathryn Ramey by Michael Hoolboom
Roslindale Filmmaker has a Passion for the Arts by Shang Gao on Wicked Local.com
Educational Media Reviews Online reviews Yanqui WALKER and the OPTICAL REVOLUTION and recommends it.
Unedited Interview with Kathryn Ramey by Jenifer Hardacker on “Kid on Hip, Camera in Hand”